Samuel Beckett and The Old Vic
The Old Vic was home to the National Theatre from 1963 whilst the purpose-built theatre was under construction. During this time, Beckett’s new work Play was performed at The Old Vic, and it called for a trio, a wife, an adulterer and a mistress, to be encased in urns. The cast included Billie Whitelaw – performing in Play was her first experience of working with Beckett but she soon became his favourite actor and he would go on to write many more plays just for her.
Happy Days, 1975
In 1973 Sir Peter Hall took over the artistic directorship from Sir Laurence Olivier to lead the Company to its new home on the South Bank, but due to building delays, his first productions were performed at The Old Vic. Two years later the National Theatre was still under construction, so his production of Samuel Beckett’s Happy Days was also performed here with the part of Winnie played by Peggy Ashcroft. The production finally transferred to its intended home of the Lyttlelton Theatre in 1976.
Waiting for Godot, 1997
Having run The Old Vic for 15 financially turbulent years, Ed Mirvish and his son David Mirvish brought in Peter Hall to run his own company in a last attempt to make money for the theatre. Hall said The Old Vic was ‘a place for dreamers’ but he was told if he lost money, it would be closed down.
For six months it worked, and Hall’s first Season included Beckett’s Waiting for Godot. It was a hit, and people were even queuing for tickets on the day in August 1997 when the Ed and David Mirvish made the decision to put The Old Vic up for sale.
No’s Knife, 2016
No’s Knife is a presentation of 13 of Beckett’s prose pieces, Texts for Nothing, conceived and performed by Lisa Dwan – well known internationally for her performances and presentations of Beckett’s works. Dwan performed the show at The Old Vic as a one-woman production and it was hailed ‘a triumph’ by The Guardian.
Endgame in a double bill with Rough for Theatre II, 2020
Richard Jones directs Alan Cumming, Daniel Radcliffe, Jane Horrocks and Karl Johnson in this Beckett double bill. Endgame, about Hamm, Clov and Hamm’s dustbin dwelling parents, is a macabre comedy in which hope and cruelty are the last things to die. In the rarely performed Rough for Theatre II two men discuss the fate of the other man in the room, who never speaks.
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